Cameron Moll Go to the source
The above tilt-shift video, The Sandpit , is neither video nor tilt-shift. In an interview with Aero film , Sam O’Hare, the film’s producer, explains that the video was produced using 35,000 stills shot with a Nikon D3 and a D80. The tilt-shift effect was created in post: I did some initial tests a while back using a rented 24mm tilt-shift lens, which is the standard way to do this. However, after my tests, I found it made much more sense to do this effect in post, rather than in camera. Shooting tilt-shift requires a tripod, as it is very hard to stabilise afterwards, and gives less flexibility in the final look. I opted to shoot it on normal lenses, which allowed me options in the depth of field and shot movement in post. … Read the rest here